THEATRE (TH)
TH 100. Theatre Appreciation.
Promotes an appreciation for and an understanding of theatre in contemporary society. Emphasizes the script, artist, audience interaction. (University Studies course) (3)
TH 101. Acting for Non-Majors.
Acting as a form of self-expression emphasizes personal awareness, relaxation, concentration, coordination and integration, vocal skills, and scene study. (University Studies course) (3)
TH 105. (Cross-listed as DA 105.) Rehearsal & Production I.
Training and practical, hands-on experience in performance, crew work, and all aspects of technical production through active participation in the mounting of departmental productions. May be repeated. (.5)
TH 107. (Cross-listed as MM 107). Theory Skills and Analysis for Musical Theatre.
Development of analytical skills in musical theatre repertoire. Prerequisites: MP 101; MM 105. (3)
TH 155. Makeup.
A study of designing and applying makeup for stage/television/film, including exploration into theory, character analysis, materials, and techniques. Lecture and lab sessions plus production work required. (2)
TH 218. Acting I.
The first of a three-year Stanislavski-based acting sequence - including theory, exercises, and scene study - for students who are considering acting as a profession. Prerequisites: Theatre and Dance major or minor; consent of instructor. (3)
TH 219. Auditioning.
Explores various audition, cold-reading, and interview techniques, marketing strategies, and solo exercises for actors. (1)
TH 231. Stagecraft I.
The technical aspects of scenery construction (carpentry, painting, properties, sound, theatre organization, etc.) and lighting, which contribute to a unified approach in producing a play. Lab and production work required. (3)
TH 251. Costume Construction.
A study in basic theatre and dance costume construction, including an examination of shop organization, wardrobe maintenance, fabrics, tools, patterns, and sewing techniques. Lecture and lab sessions plus production work required. (3)
TH 265. Drawing for the Theatre.
The understanding of technical drawing for the theatre. Computer aided and non-computer aided drafting, drawing conventions, tools, symbols, styles, as well as applications. Introduction and manipulation of basic design elements. Prerequisites: TH 231; consent of instructor. (3)
TH 305. (Cross-listed as DA 305.) Rehearsal & Production II.
Advanced laboratory course exploring various areas of performance, crew work, and all aspects of technical production through active participation in the mounting of departmental productions. May be repeated. Prerequisites: Two credit hours of TH 105 and/or DA 105; or consent of instructor. (1)
TH 307. Musical Theatre Score Study.
Study of musical theatre literature through analysis, guided listening, and performance. Selections from early development to the present will be included. (3)
TH 316. Acting II.
A continuation of the theories and practices developed in Acting I. Prerequisites: TH 218; consent of instructor. (3)
TH 317. (Cross-listed as MU 327.) Voice for the Stage.
A basic study of vocal mechanics, common vocal problems, proper breathing, and methods of voice improvement for public performance. (3)
TH 318. (Cross-listed as MU 328.) Musical Theatre Performance I.
Scene study and exercise course designed to give performers the opportunity to apply singing, acting, and dance technique to musical theatre scripts and scores. Prerequisites: TH 317 or consent of instructor. (3)
TH 319. Acting for Film & Television.
Merges Stanislavski-based technique training with the special demands and techniques of acting in film, television, and other electronic media. (3)
TH 321. Stage Combat I.
Emphasizes safety, methods of staging, falling and rolling, unarmed stage fighting, and basic stage swordplay. (3)
TH 331. Stagecraft II.
Advanced topics in stage technology, including: advanced rigging techniques, production planning, electronic controls, pneumatics, hydraulics, structural design for the stage, welding, and other state-of-the-art technologies. Laboratory required. Prerequisites: TH 231; TH 265; or consent of instructor. (3)
TH 350. Stage Lighting I.
Principles of stage lighting, use of equipment, fundamentals of electricity, and design of lighting for the stage. Prerequisites: TH 231; or consent of instructor. (3)
TH 351. Costume Design I.
Study in problem-solving and design-thinking for costume designers, organized around a study of period fashions. Prerequisites: TH 251; TH 265; or consent of instructor. (3)
TH 361. Scene Painting.
A study of theatrical painting techniques. Lab and production work required. (3)
TH 371. Scene Design I.
A study of and application of basic design principles geared to the creation of stage environments for play production. Prerequisites: TH 231; TH 265; or consent of instructor. (3)
TH 375. Theatre Management.
Study of managerial duties, supervisory responsibilities, and organizational skills necessary in publicity, front of house/box office, and backstage management as it pertains to theatrical and dance production. (3)
TH 381. (TH 285). Script Analysis.
Investigation and application of contemporary, formal approaches to the criticism and analysis of dramatic literature. (3)
TH 385. Directing I.
A fundamental course designed to enhance the student's understanding of the practical as well as the artistic skills of directing for the theatre. Prerequisites: TH 218, 231, & 251; or consent of instructor. (3)
TH 395. Period and Style.
A survey of historical periods and artistic styles influence on costume and architecture with an emphasis placed on the relevance for theatre and dance designers and director/choreographers. (3)
TH 416. Acting III.
An advanced Stanislavski and RSC-based exercise/scene-study course designed to give actors assistance in handling period texts, particularly those written by William Shakespeare. Prerequisites: TH 316; or consent of instructor. (3)
TH 418. (Cross-listed as MU 428.) Musical Theatre Performance II.
Advanced scene study and exercise course designed to give performers the opportunity to apply singing, acting, and dance technique to musical theatre scripts and scores. Prerequisites: TH 318; or consent of instructor. (3)
TH 431. Stage Combat II.
Continuation of Stage Combat I emphasizing advanced stage swordplay practice. Prerequisite: TH 321. (3)
TH 450. Stage Lighting II.
Advanced topics in stage lighting design and technology, including: computer controlled lighting, moving lightings, DMX 512, design software. Laboratory required. Prerequisites: TH 265; TH 350; or consent of instructor. (3)
TH 451. Costume Design II.
Advanced study in rendering style and problem solving for costume designers, including survey of costume design opportunities in theatre, dance, film, and other venues. Prerequisites: TH 351; or consent of instructor. (3)
TH 461-463. (Cross-listed as DA 461-463). Independent Study.
Individual study in theatre and dance. (1-3)
TH 471. Scene Design II.
Advanced study and application of design principles geared toward the creation of stage environments for Shakespearean productions, multi-set plays, musical theatre, and dance. Prerequisites: TH 231; TH 265; TH 371; or consent of instructor. (3)
TH 485. Directing II.
A continuation of the theories and practices developed in Directing I along with an introduction to various styles and alternative directing techniques. Prerequisite: TH 385. (3)
TH 490. Theatre History I.
Development of drama and theatre from ancient Greece to the English Restoration. (3)
TH 495. Theatre History II.
Development of drama and theatre from the English Restoration to the contemporary era. (3)
TH 498. (Cross-listed as DA 498). BFA Project.
The preparation, presentation, and assessment of a major artistic project. Prerequisites: Senior status; and consent of department chair. (2)
TH 499. (Cross-listed as DA 499). Internship.
Practical involvement in a performing arts company/venue. Course will be graded on a credit/no credit basis. (4)
See University Studies (UI) listings for description of:
UI 384. History of the Musical
(3)
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