| Concerto grosso Op 6 # 210 in C major by Arcangelo Corelli |
Cantilena, Adrian Shepherd |
Corelli: Concerti grossi, op. 6 |
Musical Heritage Society |
5273850 |
| Concerto for two oboes, strings & continuo in F, op. 9 # 3 by Tomaso Albinoni |
Heinz Holliger, Maurice Bourgue, I Musici |
Albinoni: The Conmplete Concertos Op. 9, Adagio for Organ & Strings |
Philips |
456 333 - 2 |
| Baryton Trio # 107 in D major by Franz Josef Haydn |
The Hadyn Baryton Trio |
Haydn Divertimenti |
Dorian |
DOR 90233 |
| Barcelona Nights by Ottmar Liebert |
Ottmar Liebert and Luna Negra |
Ottmar Liebert: Nouveau Flamenco |
Higher Octave Music |
HOMCD 7026 |
| Symphony # 34 in C major, K 338 by Wolfgang Amadeus Mozart |
The English Concert, Trevor Pinnock |
The Complete Mozart Symphonies |
Archiv |
471 666 - 2 |
| Trio # 1 for piano, violin & 'cello, Op. 8 by Johannes Brahms |
Eugene Istomin, Isaac Stern, & leonard Rose |
The Isaac Stern Collection: The Trio Recordings, Vol I |
Sony |
SM3K 46425 |
| Follow Me by John Denver |
Mary Travers |
The very best of Peter, Paul & Mary |
Rhino |
R2 73161 |
THE MEANDER TEASER – DOUBLE
1) Why did Haydn compose so many pieces for Baryton?
ANS: His employer, Prince Nikolaus Esterhazy, played the instrument
2) Many of Wolfgang Amadeus Mozart’s thoughts about events in his life are well known. Why is that?
ANS: Because he and his father, Leopold, had an ongoing exchange of letters that are available to us.